La La Love in this Club

December 4, 2025 — Chicago, IL — Rising hip-hop artist Tony Montana returns with his new project, Clubs – EP, anchored by the infectious lead single “La La Love.” The EP marks another major step forward for the Seattle–Chicago–Bay Area artist, who has spent the past year releasing a consistent run of genre-bending singles and cinematic music videos.

“La La Love” — A Trap / Electropop Crossover Built for Late Nights

Produced by Tony Montana and Elan Wright, “La La Love” pushes Montana’s sound into bold new territory. The track fuses crisp trap drums with glossy electropop textures, landing somewhere between Jack Harlow’s conversational swagger and The Chainsmokers’ festival-ready energy.
The result is a dynamic late-night anthem about the spark that hits when two people lock eyes across a crowded club. With seductive vocals, bouncing flute lines, and a massive synth-driven hook, “La La Love” captures the adrenaline and vulnerability of falling for someone in the moment.

A Breakout EP Already Building Global Momentum

Released today, Clubs – EP has already made an early impact, debuting with over 250,000 streams in its first week. The project has secured major playlist placements worldwide, helping introduce Tony Montana’s evolving sound to new audiences across hip-hop, dance, and pop.

The EP also features standout records like “Trouble” and “Molly Twerk”, each accompanied by feature-length videos that showcase Montana’s growing creative vision and visual identity.

Clubs – EP Tracklist

1. La La Love

2. Trouble

3. Say Less

4. Molly Twerk

Can You Do The Molly Twerk?

 Tony Montana Gets Hyphy With New Bay Area Dance Anthem

September 24, 2025 — Tony Montana is back with “Molly Twerk” — a high-energy Bay Area dance anthem produced by Montana and Elan Wright. Inspired by Mac Dre’s Thizzle Dance, the track blends heavy bass, bouncing synths, and a commanding hook: “I’ll do the thizzle dance, you do the molly twerk.” Designed for clubs, functions, and TikTok challenges alike, the song comes with a music video featuring dancers from DLuxxe Models, muscle cars from Dope Era Whips, and a visual style that pays full homage to hyphy culture. From ghost-rides to shoulder shakes, “Molly Twerk” is more than a track — it’s a movement. As Montana puts it: “Get hyphy in this bitch.”

oooooh… Here comes trouble

We’re in Trouble Now: Tony Montana Ushers In Bold New Era With Cinematic Single

Tony Montana returns with “Trouble”, a dark, high-impact single that kicks off a new chapter in the rapper-producer’s evolution. Co-produced by Montana and Elan Wright (Macklemore, Travis Thompson, Sol), the track explodes with distorted 808s and a gritty synth sample that walks the beat like an alley cat on the prowl.

Built around the iconic phrase “here comes trouble,” the song captures the swagger of someone who knows they’re disruptive — but charmingly so. Montana’s sharp lyrics and cinematic delivery make “Trouble” feel like a villain origin story wrapped in punchlines, with bars that bounce between sex appeal and humor without losing control.

The music video, directed by Dylan Fout, takes inspiration from the Mayhem character in the Allstate commercials, reimagining Tony Montana as a walking catastrophe in designer threads — a smiling problem no one can stop. The visual is a chaotic homage to destruction with style, matching the track’s energy beat for beat.

With “Trouble”, Montana isn’t just releasing a song — he’s introducing the tone for what comes next. This isn’t a rebrand. It’s an escalation.

20 Carat Flow

Get This Man a Ring: Tony Montana Earns His Chips on ‘Carats’

Rising rap artist and producer Tony Montana returns with his most polished and confident body of work to date: Carats, a 4-track EP fueled by swagger, self-assurance, and high-stakes hustle. Produced by Montana himself alongside Elan Wright (Macklemore, Travis Thompson, Sol), the project dabbles in multiple genres of beats while maintaining a consistently styled lyricism.

Led by the standout single From the Jump, Carats features three of Montana’s most successful monthly releases repackaged with one unreleased gem, Hoodie, a slick new track that channels quiet confidence and street poise. The EP also includes a feature from longtime collaborator r a s h e e d, whose precision bars and dynamic energy add even more firepower to the mix.

Across all four songs, Montana leans into themes of ambition, bravado, and charisma — a sonic portrait of a hustler stepping into his moment. With three self-directed music videos accompanying the release, Carats cements Montana’s role not just as a rapper but as a full-spectrum creative force.

"I'm glad people like this shit because I'm just getting started," says Montana.

Carats is available now on all major streaming platforms. Music videos can be found on Tony Montana’s official YouTube channel.

He Hits When He’s in the Mood

Everybody’s Looking Over Here: Tony Montana and r a s h e e d Don’t Miss

 Longtime collaborators Tony Montana and r a s h e e d have dropped their latest high-octane single, “Mood,” now available on all streaming platforms. Produced by Tony Montana and Elan Wright (known for his work with Macklemore and Travis Thompson), the track delivers a hard-hitting, uptempo beat layered with booming drums, sharp synths, and an infectious hook that demands attention. Montana’s signature charisma and r a s h e e d’s laser-focused flow shine as they trade slick verses about lavish living and the women in their lives — proving once again why they’re one of the most dynamic duos in the underground scene.

Bad Thing is Oh So Good

 Engaged to the Grind: Tony Montana’s Bad Thing Seals the Deal

On “Bad Thing,” Tony Montana delivers a masterclass in laid-back swagger, pairing a retro, soul-sampled beat with an effortless yet razor-sharp performance. Produced by Montana himself, the minimalist track uses warm piano loops and crisp percussion to create a luxurious backdrop that lets his slow-drawl confidence shine. His flow is surgical and unhurried, landing clever, charismatic lines like, "Even though I love the way she throw it back, she just putting work in for a Birkin bag," which reflect on the transactional side of romance. Even as Montana boasts, he stays grounded with vulnerable moments like, "I don't miss the drama that the life brings, the karma got me trying to do the right thing," hinting at lessons learned. Calm, self-assured, and deceptively simple, “Bad Thing” proves Montana’s real flex is making the grind look easy.

 It’s a Banger From the Jump

Not an Underdog Anymore: Tony Montana Delivers on From the Jump

Tony Montana’s From the Jump is a bold return to his rap roots. The track is an anthem about overcoming doubt and rising to fame despite the odds. Lyrically, it’s a celebration of proving the doubters wrong, with Montana expressing his pride in his journey toward wealth and success. The production is innovative, featuring a creative sample flip and multiple beat switches that keep the track engaging and unpredictable. Unlike his recent pop-influenced songs, this one centers on raw, unapologetic rap, highlighting Montana’s versatility and reminding fans why they’ve been rooting for him from the start.

Say Less, Shake it More

Say Less by Tony Montana: A Spicy Dance Anthem

Tony Montana’s latest single, “Say Less,” is a track that exemplifies everything that makes this self-produced artist one to watch. With a smooth, effortless delivery and a beat that bends dance to rap, “Say Less” stands out as an anthem for the modern era of hip hop. It's the perfect showcase of Tony's ability to navigate between braggadocious confidence sensual intimacy, all while offering an infectious vibe that demands your attention.

From the moment the track starts, you’re immediately hooked by the captivating production. The percussion is tight and punchy, providing a rhythmic foundation that carries the song’s energy from start to finish. But the high flying 80’s synthesizer carries the emotion — lighting up the track on every refrain.

Whether it’s in the club or in the bedroom, this song will have every listener Saying Less and moving more.